I've got four so far. Unsurprisingly, Pink Floyd is three of them, as they leaned hard into the concept album idea. That's Wish You Were Here , Dark Side of the Moon , and The Wall . And the fourth is Pearl Jam's Ten . There's a two-year period where I intensely listened to Pink Floyd albums all the way through, most often
Dark Side of the Moon , and I managed to turn it into a specifically memorable experience. For several college semesters, I tutored math, from remedial Algebra through Calculus. In the library study rooms where students would meet me for tutoring appointments, I would play Pink Floyd at a courteous volume. One day, with
Dark Side of the Moon playing, a Calculus student asked if I knew about the album's 'synchronicity' with
Wizard of Oz . He told me to look it up, promising how "unreal" the album aligns with scenes from the film. This was back when YouTube videos were limited to 10 minutes. I found a playlist stringing together videos of the first 40 minutes of
Wizard of Oz cut over with Dark Side of the Moon. The music slowing to a piano interlude during the tornado dream sequence. The tonal shift once Dorothy crash lands in the land of Oz. I was more than impressed.
Dark Side of the Moon is definitely an album I've many times listened through, and to this day my memories of Calculus,
Wizard of O z, and
Dark Side of the Moon are interconnected, reinforcing each other - one doesn't come to mind without the other.
Radiohead's
OK Computer and
Kid A also come to mind as Albums I listened to to hear them all the way through. As an older Millennial born in the mid-80s, I'm among the last ages to appreciate listening to albums all the way through. From what I remember, it was my friend's older siblings (younger Gen-Xers, high schoolers while I was in middle school) who took seriously to keeping an after-school habit of laying on the carpet of their bedroom floors and letting their minds drift to full albums by Nirvana, Pearl Jam, Radiohead, Bush's
Sixteen Stone , and REM's
Out Of Time .
By the time I was getting into high school, the new music was already getting truncated into more digestible bite-sizes through MTV's Total Request Live, Napster downloads, iPods, and Apple's iTunes Store selling singles for 99 cents. Although an older Gen Xer might argue that "bite-sizing" was already in the works once Mix Taping was popularized in the 1980s.
By then it wasn't only consumer demand preferring the single, but the music industry quietly moved on from emphasizing the larger structure of albums. I remember back around 2000 reading several Rolling Stones reviews bemoaning the loss of "unity" in new albums. Commentary that would emerge when the reviewer would be surprised by an album that achieved an internal "balance." For example, the Wallflowers 2000 album
(Breach) was praised by Rolling Stone for its "interconnectedness."
VIDEO https://www.youtube.com/watch?v=627aciBA2E8